| 304.
|
Aerial Perspective.
|
165.
|
| 305.
|
The Parts of the smallest Objects will first disappear in Painting.
|
306.
|
| 306.
|
Small Figures ought not to be too much finished.
|
282.
|
| 307.
|
Why the Air is to appear whiter as it approaches nearer to the Earth.
|
69.
|
| 308.
|
How to paint the distant Part of a Landscape.
|
68.
|
| 309.
|
Of precise and confused Objects.
|
72.
|
| 310.
|
Of distant Objects.
|
355.
|
| 311.
|
Of Buildings seen in a thick Air.
|
312.
|
| 312.
|
Of Towns and other Objects seen through a thick Air.
|
309.
|
| 313.
|
Of the inferior Extremities of distant Objects.
|
315.
|
| 314.
|
Which Parts of Objects disappear first by being removed farther from the Eye, and which preserve their Appearance.
|
321.
|
| 315.
|
Why Objects are less distinguished in proportion as they are farther removed from the Eye.
|
319.
|
| 316.
|
Why Faces appear dark at a Distance.
|
320.
|
| 317.
|
Of Towns and other Buildings seen through a Fog in the Morning or Evening.
|
325.
|
| 318.
|
Of the Height of Buildings seen in a Fog.
|
324.
|
