Page:A Treatise on Painting.djvu/372

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222
TABLE OF CHAPTERS.
Chap.
277. That no reflected Colour is simple, but is mixed with the Nature of the other Colours. 84.
278. Of the Colour of Lights and Reflexes. 157.
279. Why reflected Colours seldom partake of the Colour of the Body where they meet. 85.
280. The Reflexes of Flesh Colours. 81.
281. Of the Nature of Comparison. 146.
282. Where the Reflexes are seen. 86.

PERSPECTIVE OF COLOURS.

283. A Precept of Perspective in regard to Painting. 354.
284. Of the Perspective of Colours. 134.
285. The Cause of the Diminution of Colours. 136.
286. Of the Diminution of Colours and Objects. 356.
287. Of the Variety observable in Colours, according to their Distance or Proximity. 102.
288. At what Distance Colours are entirely lost. 103.
289. Of the Change observable in the fame Colour, according to its Distance from the Eye. 128.
290. Of the blueish Appearance of remote Objects in a Landscape. 317.
291. Of the Qualities in the Surface which first lose themselves by Distance. 293.
292. From what Cause the Azure of the Air proceeds. 151.
293. Of the Perspective of Colours. 107.
294. Of the Perspective of Colours in dark Places. 148.
295. Of the Perspective of Colours. 149.
296. Of Colours. 152.
297. How it happens that Colours do not change, though placed in different Qualities of Air. 108.
298. Why Colours experience no apparent Change, though placed in different Qualities of Air. 106.
299.