historical work above referred to as the Taríkh-í-Badauní, and which is perhaps better known under its alternative title Muntakhabat-ul-Tawarikh, or Selections from the Annals, is especially valuable for the views it gives of the religious opinions of Akbar, and its sketches of the famous men of his reign.
Badauní died about eleven years before the Emperor, and his great work, the existence of which he had carefully concealed, did not appear until some time during the reign of Jahángír. It is a very favourite book with the bigoted Muhammadans who disliked the innovations of Akbar, and it continued to be more and more prized as those innovations gradually gave way to the revival of persecution for thought's sake.
It is perhaps unnecessary to give a record of the other learned men who contributed by their abilities, their industry, and their learning to the literary glory of the reign of Akbar. The immortal Ain contains a complete list of them, great and small. But, as concerning the encouragement given to arts and letters by the sovereign himself, it is fitting to add a few words. It would seem that Akbar paid great attention to the storing in his library of works obtained from outside his dominions, as well as of those Hindu originals and their translations which he was always either collecting or having rendered into Persian. Of this library the author of the Ain relates that it was divided into several parts. 'Some of the books are kept within, some without the Harem.
