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modern times, such as the designs of Raphael and Giulio Romano;—or whether an entirely new style, founded on a study of the general principles of art as applied to decoration, should be attempted, is for you to determine. Again, it may be a question, whether in different rooms a different course should be pursued, for the sake of variety. Respecting the vehicle, whether encaustic, fresco, or oil, or all three, should be used, must be determined by you.
You will observe there is the outer hall, and staircase, the inner hall, the library, the two drawing rooms, and the dining room, all requiring your attention.
The library, I should wish to be devoted as far as possible to art, especially as the books it will contain relate principally to painting and sculpture.
I remain yours very sincerely,
P. S.—I should state that this application is made to you, with the perfect assent, nay, indeed, at the request of M. de Chateauneuf, who is desirous that his design should have the benefit of your advice, as regards its ornament: the specimen given in M. de Chateauneuf's work on Domestic Architecture, of the embellishment of the house executed by him at Hamburgh, and indeed some observations he has sent to me, sufficiently prove that he is in nowise deficient in this important branch of an architect's duty.
