LETTER XII.
My Dear Sir,
I SHOULD willingly refer you to abler advisers if M. de Chateauneuf's bouse were as real as it deserves to be; but although the conditions which you and the architect have proposed to yourselves have led to very definite arrangements in the structure itself, a pleasing uncertainty may be assumed to exist with regard to the decorations: in a word, I can scarcely shrink from a responsibility as ideal as the subject of our speculation.
I am sorry you have again referred to a certain "Pompeian" room; believe me, too much has been said of what you know was a rough experiment, to see the effect of a particular kind of decoration for small rooms, and which, as regards its details, can only deserve attention from the skill with which Mr. Harvey executed the animals that are introduced.
The word "decoration," however appropriate to fantastic ornaments, and in some degree to insulated figures, has, as you know, been considered vilifying when applied to works that are addressed to the mind. But, as we have no other term, we must consent to use it in both meanings. It is, indeed, important to remember, that no works of art, however elevated, can dispense with the appeal, the impressive or winning appeal, to the eye. Thus much for our definition of terms.
As a general principle in decoration, I would recommend that the eye should be solely or chiefly addressed
