phrase, though I justly might; but beg his pardon if I do not rightly understand him: if he means, that there is no essential difference betwixt comedy, tragedy, and farce, but what is only made by the people's taste, which distinguishes one of them from the other, that is so manifest an errour, that I need not lose time to contradict it. Were there neither judge, taste, nor opinion in the world, yet they would differ in their natures; for the action, character, and language of tragedy, would still be great and high; that of comedy lower and more familiar; admiration would be the delight of one, and satyr of the other.
I have but briefly touched upon these things, because, whatever his words are, I can scarce imagine, that he who is always concerned for the true honour of reason, and would have no spurious issue fathered upon her, should mean any thing so absurd as to affirm, that there is no difference betwixt comedy and tragedy, but what is made by the taste only: unless he would have us understand the comedies of my Lord L[1] where the first act should be pottages, the second Fricassees, &c. and the fifth a chere entiere of women.
I rather guess he means, that betwixt one comedy or tragedy and another, there is no other difference but what is made by the liking or disliking of the audience. This is indeed a less errour than the former, but yet it is a great one. The liking or disliking of the people gives the play the denomina-
