{h{{we|tion|determination} of good or bad; but does not really make or constitute it such. To please the people ought to be the poet's aim, because plays are made for their delight; but it does not follow that they are always pleased with good plays, or that the plays which please them are always good. The humour of the people is now for comedy; therefore, in hope to please them, I write comedies rather than serious plays; and so far their taste prescribes to me: but it does not follow from that reason, that comedy is to be preferred before tragedy in its own nature; for that which is so in its own nature cannot be otherwise; as a man cannot but be a rational creature: but the opinion of the people may alter, and in another age, or perhaps in this, serious plays may be set up above comedies.
This I think a sufficient answer: if it be not, he has provided me of an excuse; it seems, in his wisdom, he foresaw my weakness, and has found out this expedient for me, That it is not necessary for poets to study strict reason; since they are so used to a greater latitude than is allowed by that severe inquisition, that they must infringe their own jurisdiction, to profess themselves obliged to argue well.
I am obliged to him for discovering to me this back-door; but I am not yet resolved on my retreat: for I am of opinion that they cannot be good poets, who are not accustomed to argue well. False reasonings and colours of speech are the certain marks of one who does not understand the stage; for moral truth is the mistress of the poet, as much as of the philosopher. Poesie must resemble natural
