Besides that he has here described the conversation of gentlemen in the persons of True-Wit, and his friends, with more gaiety, air, and freedom, than in the rest of his comedies. For the contrivance of the plot, 'tis extreme[1] elaborate, and yet withal easy; for the λύσις[2], or untying of it, 'tis so admirable, that when it is done, no one of the audience would think the poet could have missed it; and yet it was concealed so much before the last scene, that any other way would sooner have entered into your thoughts. But I dare not take upon me to commend the fabrick of it, because it is altogether so full of art, that I must unravel every scene in it to commend it as I ought. And this excellent contrivance is still the more to be admired, because 'tis comedy, where the persons are only of common rank, and their business private, not elevated by passions or high concernments, as in serious plays. Here every one is a proper judge of all he sees, nothing is represented but that with which he daily converses: so that by consequence all faults lie open to discovery, and few are pardonable. 'Tis this which Horace has judiciously observed:
Creditur, ex medio quia res arcessit, habere
Sudoris minimum; sed habet Comedia tanto
Plus oneris, quanto Veniæ minus. n
But our poet who was not ignorant of these difficulties, has made use[3] of all advantages; as he who designs a large leap takes his rise from the highest ground. One of these advantages is that which Corneille has laid down as the greatest which can arrive to any
