poem, and which he himself could never compass above thrice in all his plays; viz. the making choice of some signal and long-expected day, whereon the action of the play is to depend. This day was that designed by Dauphine for the settling of his uncle's estate upon him; which to compass, he contrives to marry him. That the marriage had been plotted by him long beforehand, is made evident by what he tells True-wit in the second act, that in one moment he had destroyed what he had been raising many months.
'There is another artifice of the poet, which I cannot here omit, because by the frequent practice of it in his comedies he has left it to us almost as a rule; that is, when he has any character or humour wherein he would shew a coup de Maistre, or his highest skill, he recommends it to your observation by a pleasant description of it before the person first appears. Thus, in Bartholomew-Fair n he gives you the pictures of Numps and Cokes, and in this those of Daw, Lafoole, Morose, and the Collegiate Ladies; all which you hear described before you see them. So that before they come upon the stage, you have a longing expectation of them, which prepares you to receive them favourably; and when they are there, even from their first appearance you are so far acquainted with them, that nothing of their humour is lost to you.
'I will observe yet one thing further of this admirable plot; the business of it rises in every act. The second is greater than the first; the third than the second; and so forward to the fifth. There too you
