see, till the very last scene, new difficulties arising to obstruct the action of the play; and when the audience is brought into despair that the business can naturally be effected, then, and not before, the discovery is made. But that the poet might entertain you with more variety all this while, he reserves some new characters to shew you, which he opens not till the second and third act; in the second Morose, Daw, the Barber, and Otter; in the third the Collegiate Ladies: all which he moves afterwards in by- walks, or under-plots, as diversions to the main design, lest it should grow tedious, though they are still naturally joined with it, and somewhere or other subservient to it. Thus, like a skilful chess-player[1], by little and little he draws out his men, and makes his pawns of use to his greater persons.
'If this comedy n and some others of his, were translated into French prose, (which would now be no wonder to them, since Moliere has lately given them plays out of verse, which have not displeased them,) I believe the controversy would soon be decided betwixt the two nations, even making them the judges. But we need not call our heroes[2] to our aid. Be it spoken to the honour of the English, our nation can never want in any age such who are able to dispute the empire of wit with any people in the universe. And though the fury of a civil war, and power for twenty years together abandoned to a barbarous race of men, enemies of all good learning, had buried the muses under the
