standing close to us, and addressed us personally, earnestly, and with excitement. As a scene it would have been nothing; we saw no Queen, and no girl sweeping up leaves. He remained by us until we turned away from him. The cinematograph theory does not explain how it was that he came over and stood with his back against rocks of considerable size piled on one another, when rocks have not been there for nearly a hundred years, though we find that they had been placed in that part of the garden in 1788. Nor does it explain how it was that both before and during the man's coming we were both gazing at a kiosk which is not now in existence, though both rocks and kiosk we found out years after to have made part of the original scenery in 1789. Not a word is hinted about the little bridge over the ravine, and the little cascade close by, all being essentials both to our, and, we believe, to the original story. We suspect the explanation to be simply that we had not talked about them at first, not knowing their significance till later, and so they have not got into any widely-spread story. We know from the archives that the streams were not cleared
