from leaves after October 4th, 1789, and that "Mariamne" is only mentioned as having been paid for work in the grounds in 1783, as one of several children so occupied.
If masqueraders were posing as guards at the porte du jardinier, the cinematograph idea does not explain the reappearance of the old cottage close by, in its former position as placed in Mique's map of 1783. If the part of the Queen was being acted, what of the orchard of trees we saw her looking into, not now in existence; also, what is the account of the barrier at our right hand screening off the present view and exactly answering to the old enclosure of the Jeu de Bague?
The cinematograph does not explain the man who opened the great door of the chapel, easily banging it behind him as he came out; for in 1907 the people living in the place believed that it had not been opened since the days of Louis XVI., and the keeper of the key knew that even the door of the landing had not been opened for fifteen years. How was the wall lowered, which now largely hides the great door from the terrace, and makes it necessary to go down one flight of steps and up another,
