| NO. |
|
PAGE
|
| 235. |
Campanini as a Soldier, |
231
|
| 28. |
Catalani and Goethe, |
33
|
| 138. |
Cherubini as a Revolutionary Fiddler, |
139
|
| 219. |
Choleric Händel, |
216
|
| 125. |
Chopin's Technic, |
125
|
| 101. |
Clementi's Economy, |
98
|
| 113. |
Clerical Wit, |
110
|
| 139. |
Conscientious Acting and Singing, |
140
|
| 158. |
Coöperative Composition, |
158
|
| 160. |
Costly Admiration, |
159
|
| 297. |
Cuzzoni—Bordoni, |
295
|
|
|
| 251. |
Delayed Appreciation, |
247
|
| 5. |
Discovering a Nightingale, |
13
|
| 85. |
Disposing of an Audience, |
84
|
|
|
| 79. |
Earning a Violin Easily, |
78
|
| 198. |
"Englyshe Meetre," |
195
|
|
|
| 264. |
Fallible, |
259
|
| 115. |
Field Fooled, |
113
|
| 49. |
Forewarned is Forearmed, |
51
|
| 277. |
Fortunes in Fiddles, |
272
|
| 167. |
French Wit, |
165
|
| 180. |
Friends, |
178
|
| 131. |
From Humble Origin to Wealth and Fame, |
131
|
| 276. |
Fugues and Chess, |
272
|
| 188. |
Fun on the Stage, |
186
|
|
|
| 132. |
Gallant Haydn, |
133
|
| 247. |
Genius Discovered by Punishment, |
243
|
| 4. |
Glimpses of Cherubini, |
12
|
| 296. |
Gluck—Piccinni, |
294
|
| 262. |
Goat Hair for Hero Worshipers, |
257
|
| 24. |
Good English in Song, |
29
|
| 176. |
Gounod's Faust, |
173
|
| 228. |
Great Musical Memories, |
224
|
|
|
| 295. |
Händel—Buononcini, |
293
|
| 151. |
Händel's Duel, |
152
|
| 74. |
Händel's Escape, |
74
|
| 23. |
Händel's Persuasiveness, |
29
|
| 87. |
Händel's Successful Scheme, |
85
|
| 141. |
Händel's Youth, |
142
|
| 94. |
Haydn's Noble English Pupil, |
91
|
| 286. |
Haydn's Last Appearance, |
283
|
| 181. |
Haydn's Reception by Prince Esterhazy, |
178
|
