| NO. |
|
PAGE
|
| 18. |
He Didn't Purchase, |
25
|
| 39. |
High Art, |
43
|
| 8. |
History Repeats Itself, |
16
|
| 274. |
Honest Opinions, |
269
|
| 82. |
How Berlioz Fooled the Critics, |
80
|
| 122. |
How Paganini Secured his Favorite Fiddle, |
121
|
| 68. |
How to Make a Singer Sing, |
68
|
| 60. |
How to Secure a Successful Début, |
61
|
| 285. |
Humor in Composition, |
280
|
|
|
| 191. |
Il Trovatore, |
188
|
| 169. |
Imagination a Factor in Hearing Music, |
167
|
| 200. |
Impositions on Musicians, |
197
|
| 128. |
In Bülow's Class-Room, |
128
|
| 11. |
Irish Enthusiasm, |
19
|
|
|
| 54. |
Jealousy in the Family, |
56
|
| 270. |
Jenny Lind's Generosity, |
266
|
|
|
| 104. |
Keeping at It, |
101
|
| 20. |
Keep in with the Accompanist, |
27
|
|
|
| 95. |
Lablache and Tom Thumb, |
92
|
| 67. |
Leoncavallo's Whimsical Opinion of his "Clowns," |
67
|
| 149. |
Lind's First Engagement, |
150
|
| 242. |
Liszt as an Advertiser, |
238
|
| 250. |
Liszt's Completion of the Beethoven Monument, |
246
|
| 123. |
Liszt on Mendelssohn, |
122
|
| 130. |
Liszt's Playing and his Generosity, |
130
|
| 103. |
Liszt's Precocity, |
99
|
| 269. |
Liszt's Reply to Louis Philippe, |
265
|
| 299. |
Liszt—Thalberg, |
298
|
| 134. |
Lives of Labor, |
134
|
| 241. |
Longevity of Musicians, |
235
|
|
|
| 71. |
Manuscript for Kettles, |
71
|
| 81. |
Malibran's Generosity, |
79
|
| 124. |
Mara's Revenge, |
124
|
| 76. |
Mendelssohn Composing for Fun, |
75
|
| 35. |
Mendelssohn's Dislike of Meyerbeer, |
39
|
| 234. |
Mendelssohn's Kindness, |
230
|
| 143. |
Mendelssohn at Work, |
144
|
| 195. |
Misdirected and Repressed Talent, |
192
|
| 109. |
Modulations, |
105
|
| 53. |
Moscheles' Blunder, |
55
|
| 65. |
Mozart's Acknowledgment |
66
|
| 170. |
Musical and Non-Musical Accent, |
168
|
