rated the nave from the chancel. The two smaller arches, one placed on each side of the larger arch, were perhaps the two doorways of the original building. 
No. 2. First Pillar on the left of the large Arch of Shobdon Church. Two tympanums, each adorned with very bold and fine bas-reliefs, are also preserved, but they do not appear to belong to the two smaller arches, if we may judge from their present appearance. That on the right of the larger arch is represented in the cut (No. 1.) at the head of this article; it represents the Deity, seated within a round aureole or glory, supported by four angels. The left tympanum contains an allegorical group of figures. The pillars supporting the arches display an extraordinary richness of ornament, of the character of which some idea may be formed from the fragments given in our woodcuts: it consists of figures of men, animals, dragons, foliage gracefully arranged, elegant knotted work, and various kinds of tracery. Our specimens are all taken from the shafts of the middle or chancel-arch, which is supported by three pillars on each side. The first or outer pillar on the left-hand side (part of which is represented in the cut No. 2.) is a slender shaft of scroll-work, with a capital, on which is sculptured the dragon, which occurs so frequently in Anglo-Saxon and Anglo-Norman iconography. The next pillar (No. 3.) is ornamented with figures of men supposed to represent Welsh knights, arranged in couples and interwoven with tracery. Similar figures are found among the sculptures on the south door of the church of Kilpeck[1] on the southern
- ↑ All the sculptures of this curious church are represented in their minutest details in Mr. G. R. Lewis's carefully-executed "Illustrations of Kilpeck Church." Mr. Lewis (whose talents as an artist are universally known and appreciated) has made a complete series of drawings of the still more remarkable ornaments of the remains of Shobdon church, from which he has kindly permitted us to select the examples given in our article. It is his intention to publish them by subscription in the same
