Of Embroidery.
before setting to work), with as much minute work, and stitches introducing play of colour, as befits the purpose of the work and humour of the worker; there should be no scratching, no indefiniteness of form or colour, no vagueness that allows the eye to puzzle over the design—beyond that indefinable sense of mystery which arrests the attention and withholds the full charm of the work for a moment, to unfold it to those who stop to give it more than a glance. But there are so many different stitches and so many different modes of setting to work, that it will soon be seen that these few hints do not apply to all of them. One method, for instance, consists of trusting entirely to design, and leaves colour out of account: white work on white linen, white on dark ground, or black or dark blue upon white. Again, some work depends more on magnificence of colour
