Of Embroidery.
than on form, as, for example, the handsome Italian hangings of the seventeenth century, worked in floss-silk, on linen sometimes, and sometimes on a dusky open canvas which makes the silks gleam and glow like precious stones.
In thus slightly describing the methods chiefly used in embroidery, I do so principally from old examples, as modern embroidery, being a dilettante pastime, has little distinct character, and is, in its best points, usually imitative. Eastern work still retains the old professional skill, but beauty of colour is rapidly disappearing, and little attention is paid to durability of the dyes used. In speaking rather slightingly of modern needlework, I must add that its non-success is often due more to the use of poor materials than to want of skill in working. It is surely folly to waste time over work that looks shabby in a month. The worker
