drawing, and the gentleman did it in handsome style, giving me some hints about this kind of work for which I am grateful. I dined at home on herrings, mutton-chops, cabbage, and fritters. As I am now going to sup with Mr. George Combe, I will write to-morrow what I may hear to-night. A kind note from Professor Jameson, whom I have not seen for some time, for he is a busy man, with a card of admittance to the Museum.
Tuesday, 28th. After writing thus far I left my room and went to watch the engravers at work on my birds. I was delighted to see how faithfully copied they were, and scarcely able to conceive the great "adroit" required to form all the lines exactly contrary to the model before them. I took a cup of coffee with Mr. and Mrs. Lizars, went home to dress, and at nine was again with Mr. Lizars, who was to accompany me to Mr. Combe's, and reaching Brower Square we entered the dwelling of Phrenology! Mr. Scot, the president of that society, Mr. D. Stewart,[1] Mr. McNalahan, and many others were there, and also a German named Charles N. Weiss, a great musician. Mr. George Combe immediately asked this gentleman and myself if we had any objection to have our heads looked at by the president, who had not yet arrived. We both signified our willingness, and were seated side by side on a sofa. When the president entered Mr. Combe said: "I have here two gentlemen of talent; will you please tell us in what their natural powers consist?" Mr. Scot came up, bowed, looked at Mr. Weiss, felt his head carefully all over, and pronounced him possessed of musical faculty in a great degree; I then underwent the same process, and he said: "There cannot exist a moment of doubt that this gentleman is a painter, colorist, and compositor, and I would add an amiable, though quick-tempered man." Much conversation ensued, we had supper, Miss Scot
- ↑ Dugald Stewart, Professor of Moral Philosophy, author, etc., Edinburgh, 1753-1828.
