as the wedding ceremonies last, which is usually three days. Not only so, but the lamps are kept continually burning, and there is betel arranged in a brass pot in the form of a lotus ever before them. Beneath the pandal is now arranged a throne exactly similar to the one which was used on the occasion of the Pedda Tāmbūlam. Until now the bride has kept to her separate house, but she now dresses in her new clothes. Putting on the sandals she brought from her own home, she proceeds to the house of the bridegroom. There she waits in the pandal for her future husband, who comes out dressed in his wedding garments, wearing his sandals, and carrying a blanket, gōchi,*[1] shoulder-cloth, and knife. Both bride and bridegroom now have fastened on to their foreheads a kind of philactery or nuptial crown called bhāsingalu. They are also garlanded with flowers, in addition to which the bridegroom has tied on to his wrists the kankanam. In order that the two most intimately concerned persons may not see one another (and up to this point they have not done so), a screen is erected, the bride standing on one side, and the bridegroom on the other. As a rule, they each of them keep their heads bent during the whole of the proceedings, and look as miserable as possible. Indeed, it would be a breach of etiquette for either of them to appear as though they were enjoying the ceremony. Except for the screen, the two are now face to face, the groom looking towards the east, and the bride towards the west. Upon the bridal throne there is now placed for the bride to stand upon a basket filled with grain, and for the groom the beam of a loom. The screen is now taken away, and the priest, a Dāsari, asks
- ↑ * Gochi, a clout, a truss or flap; a waist-cloth; C. P. Brown, Telugu Dictionary.
