the groom sends to her a cloth, a bodice, cocoanut, pepper and garlic. The bride leaves her parents' house,dressed in old clothes. Her people provide only a pair of sandals, and two small toe-rings. She also carries a fair quantity of rice in the front fold of her cloth. Again a procession is formed as before for the cooking-pots, and another visit is paid to the potter's house, but, on this occasion, in place of eight annas grain is taken. The potter presents them with two wide-mouthed pots, and four small-mouthed pots, two of which are decorated in four colours. As before, these are placed in a row outside, and again the party, after worshipping them, takes them to the bridegroom's house. These pots are supposed to represent Lakshmi, the goddess of wealth, and, as they are being carried to the house, no pregnant woman or mother with small children should meet them, or they will have trouble. On arriving at the house, and before entering, a cock is sacrificed, and a cocoanut offered. [In some places, a goat is killed in front of the room in which the marriage pots are kept, and marks are made with the palms of the hands covered with the blood on the side-walls of the entrance.] Water is sprinkled on the door step, and the pots are taken inside. During the whole of the above performance, the pots are held in the hands, and must not be put down. After entering the house, grain is spread on the floor in the north-east corner, and upon this are placed the pots, one upon the other, in two or four rows. The topmost pot is covered with a lid, and on the lid is placed a lighted lamp. From the beams exactly above the lamps are suspended, to which are fastened small bundles containing dates, cocoanut, jaggery, sugar, and saffron. Round each pot is tied a kankanam (wrist-thread). These pots are worshipped every day as long
