but no widow is allowed to do it. Before anointing, the people about to do it must present a cocoanut and jaggery. When the cocoanut and jaggery are given, they must be in strips, and put into the bride's mouth partly projecting. The groom must take hold of the projecting part with his teeth, and eat it. The same performance is gone through with betel leaf. A doll is now made with cloths, having arms, legs, etc. The newly-married couple are made to play with it, being much teased the while by the onlookers, who sing lullabys. The two now have their hands and feet anointed with turmeric, and are bathed. This is done on three consecutive days. On the third day is the nāgavalli. The bride and her husband are escorted under a canopy to some ant heap outside the village. The man digs a basketful of earth with his knife, which was given to him, and which he has never relinquished, and the wife carries it to the house. There the earth is made into four heaps, one near each post. A hollow is left at the top of each heap, which is filled with water. During the time they have been fetching the earth, the people who remained at home have been worshipping airēni pots representing Lakshmi, but they now come outside to the pandal. The pair are escorted all round the village, accompanied with music. They must not walk, but must be either carried or driven. After their return to the pandal, they are seated on the nāgavalli simhasanam. Four small pots are placed in the form of a square, and round these is wound a fence of thread,which must not be broken in the process. On the pots are placed bread and meal. The bridal pair again put on their bridal crowns, and the man, taking his knife, digs a few furrows in the ground, which his wife fills with grain. The husband then covers up the grain with
