the village shrine, but, at times of festival, they are performed before the God, in honour of whom the festival is being held. On returning to the village, the girl is obliged, for five consecutive Saturdays, to go round the village accompanied by a Dāsari, to whose food and comfort she has to attend. This is, no doubt, a public announcement of the profession the girl has had put upon her. When puberty is arrived at, a feast is given, and thenceforward the girl is her own mistress."
The Mālas worship a variety of deities, including Gurappa, Subbarayadu, Gunnathadu, Sunkalamma, Poleramma, Gangamma, and Gontiyālamma. In connection with the worship of the goddess Gontiyālamma, Mr. F. R. Hemingway writes, in a note on the Mālas of the Godāvari district, that "the special caste deity is Gontiyālamma, the mother of the five Pāndava brethren. They say that Bhīma threatened to kill his mother, who took refuge under an avirēni pot (painted pot used at weddings) in a Māla's house. For this she was solemnly cursed by her sons, who said that she should remain a Māla woman for ever. In commemoration of this story, a handful of growing paddy (rice) is pulled up every year at the Dāsara festival, and, eight days later, the earth adhering to its roots is mixed with turmeric and milk, made into an image of the goddess, and hidden under the avirēni pot. For the next six months this image is worshipped every Sunday by all the villagers in turn, and, on the Sivarātri night, it is taken round the village, accompanied by all the Mālas bearing pots of rice and other food carried in a kāvadi, and is finally thrown with much ceremony into a river or tank (pond or lake). This rite is supposed to mean that the goddess is the daughter of the caste, that she has lived with them six months, and that they are now sending her
