and another part of the ceremonial at this point, as it would seem from Catullus, though some have argued that it belonged rather to the marriage-feast, was the popular song "Talassius" or "Talassio," said to have had its origin in an incident of the "Rape of the Sabine Women." Catullus represents the choruses at this point as instilling into the bride by the way all manner of good advice as to wifely duty and obedience, and auguring for her, if she takes their advice, a sure rule in the home which she goes to share. If she has tact, it will own her sway—
With loitering step and trembling knee,
And palsied head, that, ever bent,
To all, in all things, nods assent."
In other words, a hint is given her that, though the bridegroom be the head of the house, she will be herself to blame if she be not the neck.
As the poem proceeds, another interesting ceremonial, which is attested by collateral information, is set graphically before the reader. Traditionally connected with the same legend of the carrying off of the Sabine women, but most probably arising out of a cautious avoidance of evil omens through a chance stumble on the threshold, was a custom that on reaching the bridegroom's door, the posts of which were wreathed in flowers and anointed with oil for her reception, the bride should be carried over the step by the pronubi—attendants or friends of the groom, who must be "husbands of one wife." This is expressed as
