ize the customs and social habits of the Jews of his day in a bright and powerful style. In his Purim Tractate, Kalonymos parodies the style, logic, and phraseology of the Talmud, and his work was the forerunner of a host of similar parodies.
There were many Italian writers of Piyutim, i. e. Synagogue hymns, but these were mediocre in merit. The elegies written in lament for the burning of the Law and the martyrdoms endured in various parts of Italy were the only meritorious devotional poems composed in Hebrew in that country. Italy remained famous in Hebrew poetry for secular, not for religious compositions. In the fifteenth century Moses Rieti (born 1389, died later than 1452) imitated Dante once more in his “Lesser Sanctuary” (Mikdash Meät). Here again may be noticed a feature peculiar to Italian Hebrew poetry. Rieti uses regular stanzas, Italian forms of verse, in this matter following the example of Im-
