Page:Charles Moore--Development and Character of Gothic Architecture.djvu/351

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INDEX
327

of the nave, 207 (cut);—apse, 94 (cut);—apsidal aisles, 100 (cut), 101;—bases in the choir, 211 (cut), of the triforium of the nave, 212 (cuts), of engaged shafts of westernmost piers, 213 (cut);—buttresses, 53, 112; capitals of vaulting shafts in choir and nave, 55-57 (cuts), of the piers, 202, of the westernmost pier of the nave, 65-66 (cut), of the triforium of the choir, 202, 204 (cut), 270; of the triforium of the nave, 202, 205 (cut), 271, 272 (cut), 273, of the chapel of the catechists, 274 (cut);—clerestory, 69, 85 (cut), 88, 90;—cornice or drip moulding, 215 (cut);—façade, 108 (cut);—glass, 304;—impost, 221;—niches, 254;—piers, 53, sixth pier of the nave, 62 (cut), 67 (cut); seventh or westernmost pier, 63 (cuts);—portal of south transept, 261;—rib sections, 219;—sculpture, 25, of the south door of west front, 255, of west façade, 259-261 (cut), of portal of south transept, 261, of portal of north transept, 262 (cut), of a hood moulding, grotesque figure, 266 (cut), of the archivolts of the façade, 266 (cut), 276 (cut), of the Porte Rouge, 280 (cut);—statues of the buttresses, 254;—tracery in clerestory, 85 (cut), 89;—transept, 102;—triforium string, 216 (cut);—vaulting shafts and piers, 53; intended for quadripartite vaults, 54-57 (cuts);—vaults, 52, repairs and changes in the 13th cent., 86, vaults of the choir, 38, of the apse, 94 (cut), of the apsidal aisles, 100 (cut); Virgin of north transept portal, 262 (cut).

Church of St. Denis. See St. Denis.
Church of St. Germain des Pre's, 51; buttresses, 17, 80, 82; longitudinal arch of vault in the choir, 68.
Church of St. Julien-le-Pauvre, capitals, 270.
Church of St. Martin des Champs, 32; rib sections, 218 (cut).
Sainte Chapelle, 19; painting in the wall arcades, 298; glass, 304.

Parker, on the style of the choir of Lincoln Cathedral, 134, 140.

Pavia, church of S. Michele, 8, 9; piers, and vaults, 40 (cut), 41 (cut).

Perpendicular style, English, 313.

Perspective, in decorative design, 307.

Peterborough, cathedral, its Norman nave contemporary with Canterbury and Lincoln, 143; façade, 165; sculpture of west front, 288.

Piers, volume reduced in Gothic architecture, 18; general character in Gothic architecture, 19; alternate arrangement, 40-42; developments in the I3th cent., 61; use of round columns, 61; reinforced by engaged shafts, 64; by detached shafts, 66.

Of the cath. of Amiens, nave, 64;—Bourges, 59;—the Abbaye-aux-Dames, at Caen, 153 (cut);—the Abbaye-aux-Hommes at Caen, 40, 42 (cut);—the cath. of Chartres,. nave, 73;—the ch. of Notre-Dame at Dijon, 60;—Jumiéges, 42;—the cath. of Laon, 58, nave, 66 (cut);—the ch. of Mantes, 57;—the cath. of Noyon, choir, 49, 63, nave, 50;—Paris, 53, intended for quadripartite vaults, 54 (cuts), sixth pier from transept in nave, 62 (cut), 67 (cut), seventh or westernmost, 63 (cuts);—the ch. of St. Denis, 76 (cut), choir, 37;—St. Leu d'Esserent, nave, 72;—the cath. of Senlis, 43-47 (cuts);—Sens, 60; Soissons, choir, 66-67 (cuts).
English, never structurally complete and functional, 157;—of Canterbury cath., choir, 130, at transept crossing, 138 (cut);—Chichester, 132 (cut);—Ely, transept, 63;—Lincoln, choir, 136-138 (cuts), 140, nave, 145 (cut), presbytery, 155;—Malmesbury Abbey, 125;—the ch. of St. Mary, New Shoreham, 141;—Norwich cath. ,42;—Salisbury, nave, 150, chapter-house, 168;—Wells, 150.
Of the cath. of Bamberg, 172 (cut);—the Breslau Kreuzkirche, 175;—the cath. of Magdeburg, 172—Speyer, 171 (cut).
Of the ch. of S. Petronio in Bologna, !88;—the cath. of Florence, 187-188 (cuts); the ch. of Sta. Croce, 185; the ch. of Sta. Maria Novella, 185 (cut);—the ch. of San Michele in Pavia, 40 (cut), 41 (cut);—the ch. of the Krari in Venice, 189.
In Spanish pointed buildings of the early 13th cent., 195.
See also Vaults.

Pier arches, generally equilateral in France and frequently in England. 149; the Anglo-Norman type lancet, 149. See also Piers.

Pilaster strip, in Romanesque buildings, in (cut).

Pinnacle on buttresses, evolution of, 83;—of the cath. of Amiens, 81;—of the cath. of Reims, 84;—of the ch. of Sta. Maria della Spina. purely decorative features, 191.

Pisa, the sculptors of, 294-296.

Cathedral, 28; façade compared with Lincoln, 162; sculptures of the