Page:Cousins's Short Biographical Dictionary of English Literature.djvu/194

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
182
Dictionary of English Literature

magazines, and pub. Poems (1885), containing "Legends and Lyrics." His graceful verses show the influence of Keats. His sonnets are some of his best work.


Hayward, Abraham (1802-1884).—Miscellaneous writer, belonged to an old Wiltshire family and was ed. at Tiverton School. He studied law at the Inner Temple, and was called to the Bar 1832. He had a great reputation as a raconteur and sayer of good things, and he was a copious contributor to periodicals, especially the Quarterly Review. Many of his articles were reprinted as Biographical and Critical Essays, and Eminent Statesmen and Writers; he also wrote Lives of George Selwyn and Lord Chesterfield, and books on Whist, Junius, and The Art of Dining. His Select Correspondence appeared posthumously.


Hayward, Sir John (1564?-1627).—Historian, b. at Felixstowe, was the author of various historical works, the earliest of which, The First Part of the Life and Reign of King Henry IV., was pub. in 1599, and gave such offence to Queen Elizabeth that the author was imprisoned. He, however, managed to ingratiate himself with James I. by supporting his views of kingly prerogative. He also, at the request of Prince Henry, wrote a History of the three Norman Kings of England (William I., William II., and Henry I.) The Life and Reign of Edward VI. was pub. posthumously in 1630.


Haywood, Mrs. Eliza (Fowler) (1693-1756).—Dramatist and novelist, b. in London, was early m. to a Mr. H., but the union turning out unhappily, she took to the stage, upon which she appeared in Dublin about 1715. She afterwards settled in London, and produced numerous plays and novels, into which she introduced scandalous episodes regarding living persons whose identity was very thinly veiled, a practice which, along with her political satires, more than once involved her in trouble, and together with certain attacks upon Pope, made in concert with Curll the bookseller, procured for her a place in The Dunciad. Her enemies called her reputation in question, but nothing very serious appears to have been proved. She is repeatedly referred to by Steele, and has been doubtfully identified with his "Sappho." Some of her works, such as The History of Jemmy and Jenny Jessamy had great popularity. Others were The Fair Captive (1721), Idalia (1723), Love in Excess (1724), Memoirs of a Certain Island adjacent to Utopia (anonymously) (1725), Secret History of Present Intrigues at the Court of Caramania (anonymously) (1727). She also conducted The Female Spectator, and other papers.


Hazlitt, William (1778-1830).—Essayist and critic, b. at Maidstone, was the s. of a Unitarian minister. At his father's request he studied for the ministry at a Unitarian Coll. at Hackney. His interests, however, were much more philosophical and political than theological. The turning point in his intellectual development was his meeting with Coleridge in 1798. Soon after this he studied art with the view of becoming a painter, and devoted himself specially to portraiture, but though so good a judge as his friend J. Northcote, R.A., believed he had the talent requisite for success