profoundly skilled in the language of our elder poets, read a few pages of any of the poems of the age of that king, from whence I have already given short extracts, without any glossary or assistance whatsoever; he will doubtless meet sometimes with words he does not understand, but he will find much fewer difficulties of this kind, than while he is perusing the poems attributed to Rowley. The language of the latter, without a perpetual comment, would in most places be unintelligible to a common reader. He might, indeed, from the context, guess at something like the meaning; but the lines, I am confident, will be found, on examination, to contain twenty times more obsolete and obscure words than any one poem of the age of king Edward IV, now extant.
Before I conclude, I cannot omit to take notice of two or three particulars on which the Dean of Exeter and Mr. Bryant much rely. The former, in his Dissertation on Ella, says, “Whatever claim might have been made in favour of Chatterton as the author [of the Battle of Hastings], founded either on his own unsupported and improbable assertion, or on the supposed possibility of his writing these two poems, assisted by Mr. Pope's translation [of Homer], no plea of this kind can be urged with regard to any other poem in the collection, and least of all to the dramatick works, or the tragedy of Ella; which required not only an
