FERRARA tion, Brescia, are characteristic specimens, j used colour harmoniously, especially in his They show that he was educated under the frescos, but lit- was ;it times capricious influence of Foppa, Costa, and Francia, and and extravagant, and his conipo.sitions arc hardly suggest that he was a contemporary often overcrowded and wanting in beauty of Titian and Pordenone. C. A C., X. Italy, of arrangement. He painted many works ii. 362 ; Vasari, xi. 263, N. 2. ; Lubke, GescL at Varallo, in 1504, 1513, 1524, and 1531, ital. Mai., ii. 607. the earliest of which are in S. M. di Loreto, FERRARA, ERCOLE DA. See Grumli. and S. Marco, the best in S. M. dclle Gra/ie, FERItAllA, LODOVICO DA. See J//r> ' where he decorated the choir with scenes zolino, Lodovico. from the Passion, and painted the Prcsen- FERRARI, DEFEXDEXTE DE, Hour- tat ion in the Temple, Christ among the ished at Chivasso first half Kith century. Doctors, and other subjects in chain-Is at Lombard school; history painter, perhaps the Sacro Monte. In 1511! he went to Rome pupil of Macrino d'Alba. Works: Altar- and is said to have worked in the Farnesina pieces (1519-21), Cathedral of Ivrea ; Christ with Raphael, after whose death he was as- iii the Temple (152G), Stuttgart Gallery; sociated with Giulio Romauo and Perino del Altai-piece (153(1), Marriage of St. Catherine, Vaga. Other frescos by Ferrari may be seen Altai-piece in several compartments, Turin in the Brera, Milan, and in the Pilgrims' Gallery ; Nativity with Saints (1531), Church Church at Saronno, where he painted in of Ranverso ; Pieta, Cathedral of Chivasso ; 1534, as also a Flagellation in S. M. delle Adoration of Shepherds, Bergamo Gallery ; Gra/ie, Milan. His last fresco (1542) is in St. Catherine, Princess Charles of Darm- S. Giuliano, on an island in the Lago d'Orta. stadt. Morelli (Richter), 413; Turin Gal. Among his pictures are the Baptism of Christ, Cat.; Lubke, Geseh. ital. Mai., i. 505. S. Celso, Milan ; Martyrdom of S. Catherine, FERRARI, FRAXCESCO BIAXCHI, Brera, Milan ; Christ bearing the Cross, Ca- called II Frari, born at Modena (?) in 1447, nobbio ; Lnxl. Supper (1543, unfinished), S. died there, Feb. H, 1510. Modcnese school ; M. della Passione, Milan ; S. Peter and Do- history painter, enjoyed great reputation in nor, Entombment, Turin Gallery, Madonna, Modena, where some excellent works of his Oldenburg Gallery; St. George, and St. are still to be found. Supposed to have Anthony of Padua, Historical Society. Xev been Correggio's first master. Works: York. Vasari, ed. Mil., iv. (!52 ; vi. 518; Madonna enthroned with Angels and Saints, ed. Le Mon., vi. 5S ; viii. 248; xi. 275; Louvre; Annunciation (1510, finished by Burekhardt, 705; Lan/.i, i. 3!>'.l ; ii. 4!lti ; Scaccieri in 1512), Modena Gallery. Ch. Ch. Blanc, Ecole milanaisc ; Liibke, Gesch. Blanc, Ecole lombarde ; C. & C., X. Italy, ' ital. Mai, ii. 4(il. i. 373 ; Lanzi (Roscoe), ii. 346. FERHAHI, GIOVANNI AXDREA DE. FERRARI, GAUDEXZIO, born at Val- born in Genoa in 15!)S, died there in 166!l. duggia in 1481, died in Milan in 1546 or ' Genoese school ; pupil of Bernardo Castello 1547. Lombard-Milanese school. Called and of Bernardo Strozzi. Won reputation by Vasari Gaudenzio Milanese ; asserted as an historical and portrait painter ; many pupil of Stefano Scotto, Girolamo Giove- works in the churches and palaces of Genoa. none, and Perugino, whose influence is un- Became an ecclesiastic in old age. Was an mistakable in Gaudenzio's fine altarpiece able teacher and the master of Benedetto (1514-15) in S. Gaudenzio, Xovara. Af- Castiglione, Valerio Castello, and Carbone. fected also by Raphael, whose fellow-student Lanzi, iii. 267 ; Ch. Blanc, l^cole geuoise ; he had been, and by Leonardo da Vinci, his Burckhardt, 77!). later style acquired life and energy. He FERRARI, GIULIO CESARE, born at had considerable power of expression, and Bologna in 1818. History and portrait 51
