LIGHTEN HELD enna Academy in 1808, and professor in 1872. Medal, Munich, 2d class, 1883. Works : Farm-House near Meran ; Alt-Aus- sce ; Oak Landscape ; Castle Liechtenstein ; View near Mataun ; View near Sessana (1868); View near Lundeiiburg (1873), Vienna Mu- seum ; View near Pitten ; Danube near Weissenfels ; Landscape in Venetian Moun- tains ; Coast View near Quarnero ; Hunter's Hut in the Mountains ; Sketch from Top of Etna (1880) ; Five Views in Nether Austria (1883), Baron Albert Rothschild, Vienna ; Eight Views in Austria-Hungary (1884), Museum of Natural History, ib. Miiller, 330 ; Zcitsc-hr. f. b. K, vii. (Mittheilungen, i. 39); ix. 200 ; xviii. 41)2 ; xix. 508 ; Kuust- Chronik, xvii. 200 ; xviii. 293, 492, 511 ; xix. 511 ; Leixner, Mod. K., i. 117 ; ii. 121. LICHTENHELD, WILHELM, born in Hamburg in 1818. Landscape painter, pu- pil of Munich Academy ; paints almost ex- clusively moonlight landscapes, both in oil and water-colours. Works : Rest during the Chase (1844), Leipsic Museum ; Treas- ure Digger (1858), Moonlight on the Heath (1859), New Pinakothek, Munich ; Thun- derstorm, Convent Hall by Moonlight (1800); Moonrise over Dachauer Moos, Moonlight Night (1801); Morning Dawn (1802); Clois- j tor in Brixon, Moonlight Night on the Am- mer (1800) ; Foggy Morning, Moonlight Night on Chiem Lake ; eighteen water-col- ours in Holzschuher Collection, Augsburg. Meyer, Conv. Lex., xvii. 541 ; Miiller, 330. L1CINIO. See Pordenone. LIEBEUMANN, MAX, contemporary. Genre painter in Berlin ; since 1873 has at- j tracted attention by Ins exaggerations of realism, represented in its sound principle by Gussow ; but has changed, of late, to a more pleasing style. Works : Geese Pluck- ers (1873) ; Turnip Field Gossip (1877) ; Brother and Sister, Wood-Chopper's Fam- ily, Artist's Studio (1878) ; Christ in the Temple (1879) ; Orphanage in Amsterdam (1882) ; Shoemaker's Workshop, Courtyard of Orphanage at Amsterdam (1882); Women at the Bleachery (1883) ; Munich Beer Gar- den, Setting in the Loaves (1884). Leix- ner, Mod. K., i. 53 ; ii. 98 ; Mliller, 337 ; Zeitschr. f. b. K., viii. 120 ; xvii. 370 ; xix. 200 ; D. Rundschau, xiii. 33G ; xvii. 307 ; xx. 458 ; Kunst-Chronik, xx. 399, 747. LIEHM, ANTON, born at Janegg, Bo- hemia, Jan. 25, 1817, died there, May 27, 1800. Landscape painter, pupil in Prague of Max Haushofer ; lived then in Teplitz in 1852-00. Works : View in the Erzgebirge (1842) ; do. (1843) ; Castle Sternberg, View near Ossegg (1844) ; Mill near Steruberg, Wolfgang Lake, View on Lake Eben (1845); Giant's Spring, Mountain Landscape, View near Salzburg (1840) ; Views near Eichwald and Dux (1847); Other Views in Erzgebirge Mountains (1848-52) ; Sunday Morning, Wood in Storm, Summer Noonday in Ap- proaching Storm (1853) ; Summer After- noon, Autumn Landscape (1854) ; Autumn, Sultry Summer-day (1858) ; Autumn Land- scape with Moonrise (1800). Allgem. d. Biogr., xviii. 027. LIEMAEKEll (Liemackere), NICOLAAS (dc), called Rooso or Roze, born in Ghent in 1575, died there in 1040. Flemish school ; history painter, pupil of Marcus Geerards and of Otto Vaenius ; for some time at the court of the Prince of Paderborn, returned to Ghent, where he was president of the guild in 1023-30. Works: The Trinity, St. Bernard, St. Norbert, Holy Family (2), Bust of Christ (2), Apotheosis of the Virgin, Ghent Museum ; Virgin in Glory, Cathedral, Ghent ; Fall of the Angels (masterpiece), Good Samaritan, Consecration of St. Nicho- J/J las, St. Nicolaas, ib.; Institution of the Ro- sary, Bruges Cathedral. Immerzeel, ii. 175 ; Kugler (Crowe), ii. 293. LIER, ADOLF, born at Herrnhut, Sax- ony, May 21, 1820, died at Vahrn, near Brixen, Tyrol, Sept. 30, 1882. Landscape painter, pupil in Basle of Siiffert and in 78
