- ing to the church tradition, it miraculously
ceased. A typical conflagration, suggestive of the burning of Troy, with Æneas, Anchises, Crëusa, and Ascanius in the group at left. Painted in 1515; almost entirely by Raphael. Studies in Uffizi, Florence, and Albertina Collection, Vienna. Engraved by P. Thomassin;. P. Anderloni; Volpato.—Vasari, ed. Mil., iv. 359; Passavant, ii. 158; Müntz, 425; Kugler (Eastlake), ii. 436; Perkins, 175.
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Incendio del Borgo, Raphael, Stanza dell' Incendio, Vatican.
INDUNO, DOMENICO, born in Milan,
March 15, 1815, died there, Nov. 5, 1878.
Genre painter, pupil of Milan Academy
under Luigi Sabatelli and of Hayez; won
the great prize in 1837, and went to Rome.
After painting classical and romantic subjects,
finally devoted himself entirely to the
representation of Milanese popular life.
Implicated in the revolution in 1848, he fled
to Switzerland, then went to Tuscany, and
returned to Milan in 1859. Works: Alexander;
Oath at Pontida; Samuel anointing
David (1840), Vienna Museum; The
Smugglers; Bread and Tears; The Beggars;
Soldier's Grief; Conflagration; Dispatch;
The Rosary; Pawnbroker's Shop; Victor
Emmanuel laying Corner-Stone of Milan
Gallery (1878).—L'Illustrazione ital. (1878),
No. 45; Larousse, ix. 669; Vapereau (1880),
974; Wurzbach, x. 204.
INDUNO, GIROLAMO, Cavaliere, born
in Milan in 1827. Genre painter, pupil of
Milan Academy; first exhibited in Paris in
1855, pictures of military life and humorous
scenes of the Rococo period which have
gained him a prominent place among modern
Italian artists. Works: Garibaldi's Soldiers,
Sutler (1855); Letter from Camp;
Tale of the Garibaldian; Salutes between
Gianduia and Meneghino, Garibaldian Sentinel,
Farewell of the Conscript (1868); Museo
Civico, Turin; Battle of Magenta; Gallant
Friend of the Family; Lady Artists
Overheard; Expectation; Return of Garibaldian;
Bridal Pairs; Eleonore d'Este
grieving about Tasso (1870); Bivouac near
Capua; First Snow; Battle of Palestro;
