Battle of Cernaia; Entry of King of Italy into Venice; Dancing Lesson in Last Century; Domestic Scene; Amateur of Antiquities (1873); Savoyard Woman (1878); Emigrants, Italy in 1866 (1878); Visit of Garibaldi to Victor Emanuel at Rome in 1875, Dear Remembrance, Il marito gentil queto sorride (Parini), Souvenir of Rome, Brera, Milan; Sentinel, Fondazione Poldi-Pezzoli, ib.—L'lllustrazione ital. (1876); Gaz. des B. Arts (1867), xxiii. 224; Wurzbach, x. 205; Zeitschr. f. b. K., iii. 125; x. 288.
INFIDELITY, Paolo Veronese, Cobham
Hall, England; canvas, 5 ft. 10 in. sq. A
woman, nude, seated between two men, to
one of whom she gives her hand while putting
a letter into the hand of the other; below,
two cupids. From collection of Queen
Christina of Sweden to Orleans Gallery;
valued at sale in 1793 at £150, sold for 46
guineas. Engraved by S. Vallée.—Waagen,
Treasures, ii. 499; iii. 20; Cab. Crozat, ii.
Pl. 28; Ch. Blanc, École vénitienne.
INGANNI, ANGELO, born at Brescia in
1807. Architecture painter, member of Milan
Academy; lives at Brescia, and enjoys
reputation in North Italy. Works: View
of Cathedral and Square at Milan (1839),
Vienna Museum; Harbor of Como (1846);
Piazza Fontana, Piazza Borromeo (1847);
Arco della Costa in Verona (1851); Façade
of Milan Cathedral (1852); Municipal Palace
at Brescia (1857); Blessing the Weather
(1858).—Wurzbach, x. 206.
INGEGNO, L', born in Assisi, flourished
end of 15th and early part of 16th century.
Umbrian school. Real name Andrea Luigi,
Alovigi, or Lovigi, but called L'Ingegno (the
Cunning), on account of his pictorial ability
and his versatility. Vasari's account of him
is full of errors. He was more probably the
pupil of Niccolò Alunno, who opened a school
at Foligno in 1460, than of Perugino, whose
school at Perugia did not begin until about
1499, and is first heard of in 1484, painting
coats-of-arms in the Council Hall and on the
city gates of Perugia. He was proctor in
1505, justice in 1507, assistant in 1510, and
Papal cashier in 1511, under Pope Julius II.
His name is attached to several pictures in
European galleries, evidently painted by a
master who was at the school of Fiorenzo di
Lorenzo, and a companion of Pinturicchio.—C.
& C., Italy, iii. 161; Vasari, ed. Mil.,
iii. 595, 617; Burckhardt, 566; Rumohr,
Italienische Forschungen, ii. 324; iii. 29;
Kunstblatt (1821), No. 73; (1837), 94.
INGENMEY, FRANZ MARIA, born at
Bonn in 1830, died in Düsseldorf, June 3,
1878. Genre painter, pupil in Munich of
Correns, then studied in Düsseldorf. Works:
Blind Fiddler and his Child; After the Storm;
Bad Tobacco; Barred Way Home; Poaching;
Study in the Woods; Dream-King and
his Love; Surprise, Cinderella; Uninvited
Guests.—Kunst-Chronik, xiii. 598.
INGHAM, CHARLES CROMWELL,
born in Dublin, Ireland, in 1796, died in
New York in 1863. Figure and portrait
painter, pupil of Dublin Academy; went to
the United States in 1817, and soon acquired
reputation by his portraits of the reigning
beauties of New York, where he was one of
the founders of the National Academy of
Design, and for years its vice-president.
Works: Death of Cleopatra: Flower Girl;
Day Dream; The Black Plume, Portrait of
Lafayette (1825), do. of Gulian C. Verplanck
(1830), Historical Society, New York.
INGHIRAMI, TOMMASO (Phædra), portrait,
Raphael, Palazzo Pitti, Florence; wood,
H. 2 ft. 11 in. × 2 ft. Half-length, without
beard, in a cap and red dress, sitting, pen
in hand, behind a table, on which are an
inkstand, a book, and a casket. He was
Secretary to the Conclave; called Phædra,
because, having once taken part in the performance
of Seneca's Hippolytus, he improvised
some Latin verses about Phædra to
avert a panic when the theatrical machinery
gave way. Painted in Rome about 1513;
carried to Paris in 1799; returned in 1815.
Replica in Casa Inghirami, Volterra. Engraved
by Theo. della Croce; T. Vercruys;
Ferrerii; Bardi.—Gal. du Pal. Pitti. i. Pl.
93; Müntz, 276; Passavant, ii. 137; Spring-
