Page:De Vinne, Invention of Printing (1876).djvu/359

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THE GROWTH OF THE LEGEND.
349

lent and valuable art of printing made its appearance (a. d. 1428). Not in the manner that is used now, with letters cast of lead and tin. No, it did not go on like that; but a book was cut, leaf for leaf, on wooden blocks … We must not think that every letter was cut separately on wood, and that these letters were collected and put together to a line, and in a certain number of lines. … Our acute Laurens first cut the letters, twisted and close to each other, in the manner of writing on wood or tin; but afterward, when he was so successful, he changed his method of working, and, having invented the matrices, cast his letters. (!)

I will not say further how the noble art of engraving and printing of engravings is connected with the invention of printing, which arose afterward. But just as the dexterous Jan Fuyst imitated the appropriate art of printing, so the excellent and talented printers and designers, who also handled the artistic chisel and knife, contrived to multiply and publish their engravings, cut after the printing of the Haarlem figures. And all have been instructed by, and got their first experience from, our clever and talented Laurens Koster.[1]

Scriverius has given dates and new details, but he has not thrown any clear light on the subject. He has not made the story of Junius more credible, but he has exposed himself as a romancer and a fabricator. In trying to mend the legend, he has destroyed it. If the story of Scriverius is true, then that of Junius is false, for they contradict each other. The statements of Junius were based on the pedigree and the gossip of the old men of Haarlem; the statements of Scriverius were based on nothing, for he had no authorities which the most lenient critic could accept.

Scriverius said that Lourens Janszoen or Laurens Koster was the inventor of xylography as well as of types. After an examination of the Speculum, he had wit enough to see what Junius did not, that the printer of the book must have had practice with blocks, and that printing on blocks necessarily preceded printing with types. His description of the growth of the new art is not at all satisfactory. The careless manner in which he skips over the invention of matrices and the making of the moulds is that of a man who knows nothing

  1. Condensed from Hessels' translation in Haarlem Legend, p. 113-14.