Page:De Vinne, Invention of Printing (1876).djvu/509

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the spread of printing.
499

a publisher, he could not compete with John of Westphalia.[1] Thierry Martens, of Alost, was employed by John of Westphalia, probably as editor, soon after he arrived at Louvain. After receiving suitable instruction, Martens was allowed to print some little books at Alost in 1473. He began to print at Alost in his own name in 1487. Necessity or the love of change compelled him to move his printing office many times between Louvain and Antwerp. In 1529, he forsook printing and retired to Alost, where he died in 1534, at the age of eighty- eight years. In his business life of almost sixty years he printed, beside many other works, about 150 books in Greek, Hebrew and Latin. He had a critical knowledge of six languages, and his ability as an editor was acknowledged by many scholars who were his friends and correspondents. Erasmus wrote his epitaph, and the town of Alost has put up a statue to commemorate his worth.

Bruges. The name of Colard Mansion, a calligrapher of high merit and afterward the first typographer at Bruges, is found in the records of a corporation of book-makers, between the years 1454 and 1473. As his name does not re-appear before 1482,[2] it is supposed that he abandoned the guild and learned printing. In 1476, he printed a little book in a new face of type in the French style. He was a skillful but not a prosperous printer, for he was obliged to eke out his scant income as a printer by occasional jobs of illumination. Soon after 1484, he left Bruges. It is not known where he went or when he died. John Brito, who succeeded Mansion, was for many years the only typographic printer at Bruges. This neglect of printing in a city renowned for the elegance of its manuscripts and the skill of its calligraphers shows that the professional book-makers regarded printing as an inartistic and mechanical method of making books.

  1. See notes on pages 281 and 322.
  2. Many bibliographers say that he went to Cologne in 1473. Madden regards him as a pupil of the monastery at Weidenbach. Blades thinks that he was self-taught, or taught by some unknown printer, and that, as early as 1472, he began his typographic work at Bruges, in which he was assisted by William Caxton.