Page:Discourses of Epictetus.djvu/205

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EPICTETUS.
151

for this too, and try to make a verse like the verse of Euripides,

The hot baths of Nero and the Marcian water.

See how tragedy is made when common things happen to silly men.

When then shall I see Athens again and the Acropolis? Wretch, are you not content with what you see daily? have you any thing better or greater to see than the sun, the moon, the stars, the whole earth, the sea? But if indeed you comprehend him who administers the Whole, and carry him about in yourself, do you still desire small stones, and a beautiful rock?[1] When then you are going to leave the sun itself and the moon, what will you do? will you sit and weep like children? Well, what have you been doing in the school? what did you hear, what did you learn? why did you write yourself a philosopher, when you might have written the truth; as, "I made certain introductions,[2] and I read Chrysippus, but I did not even approach the door of a philosopher." For how should I[3] possess any thing of the kind which Socrates possessed, who died as he did, who lived as he did, or any thing such as Diogenes possessed? Do you think that any one of such men wept or grieved, because he was not going to see a certain man, or a certain woman, nor to be in Athens or in Corinth, but, if it should so happen, in Susa or in Ecbatana? For if a man can quit the banquet when he chooses, and no longer amuse himself, does he still stay and complain, and does he not stay, as at any amusement, only so long as he is pleased? Such a man, I suppose, would endure perpetual exile or to be condemned to death. Will you not be weaned now, like children, and

    arches of this aqueduct exist. The 'bright stream of Dirce' is spoken of in the Hercules Furens of Euripides (v. 573). The verse in the text which we may suppose that Epictetus made, has a spondee in the fourth place, which is contrary to the rule.

  1. The 'small stones' are supposed to be the marbles which decorated Athens, and the rock to be the Acropolis.
  2. In the original it is Εἰσαγωγαί. It was a name used for short commentaries on the principles of any art; such as we now call Introductions, Compendiums, Elements. Gellius, xvi. 8.
  3. See Schweig.'s note.