of putting them together. But in patchwork she enjoyed a tepid importance. She could really do that as well as anyone else. During years of devotion to this one art she had accumulated a considerable store of quilting patterns. Sometimes the neighbors would send over and ask "Miss Mehetabel" for such and such a design. It was with an agreeable flutter at being able to help some one that she went to the dresser, in her bare little room under the eaves, and extracted from her crowded portfolio the pattern desired.
She never knew how her great idea came to her. Sometimes she thought she must have dreamed it, sometimes she even wondered reverently, in the phraseology of the weekly prayer-meeting, if it had not been "sent" to her. She never admitted to herself that she could have thought of it without other help; it was too great, too ambitious, too lofty a project for her humble mind to have conceived. Even when she finished drawing the design with her own fingers, she gazed at it incredulously, not daring to believe that it could indeed be her handiwork. At first it seemed to her only like a lovely but quite unreal dream. She did not think of putting it into execution—so elaborate, so complicated, so beautifully difficult a pattern could be only for the angels in heaven to quilt. But so curiously does familiarity accustom us even to very wonderful things, that as she lived with this astonishing creation of her mind, the longing grew stronger and stronger to give it material life with her nimble old fingers.
She gasped at her daring when this idea first swept over her and put it away as one does a sinfully selfish notion, but she kept coming back to it again and again. Finally she said compromisingly to herself that she would
