make one "square," just one part of her design, to see how it would look. Accustomed to the most complete dependence on her brother and his wife, she dared not do even this without asking Sophia's permission. With a heart full of hope and fear thumping furiously against her old ribs, she approached the mistress of the house on churning-day, knowing with the innocent guile of a child that the country woman was apt to be in a good temper while working over the fragrant butter in the cool cellar.
Sophia listened absently to her sister-in-law's halting, hesitating petition. "Why, yes, Mehetabel," she said, leaning far down into the huge churn for the last golden morsels—"why, yes, start another quilt if you want to. I've got a lot of pieces from the spring sewing that will work in real good." Mehetabel tried honestly to make her see that this would be no common quilt, but her limited vocabulary and her emotion stood between her and expression. At last Sophia said, with a kindly impatience: "Oh, there! Don't bother me. I never could keep track of your quiltin' patterns, anyhow. I don't care what pattern you go by."
With this overwhelmingly, although unconsciously, generous permission Mehetabel rushed back up the steep attic stairs to her room, and in a joyful agitation began preparations for the work of her life. It was even better than she hoped. By some heaven-sent inspiration she had invented a pattern beyond which no patchwork quilt could go.
She had but little time from her incessant round of household drudgery for this new and absorbing occupation, and she did not dare sit up late at night lest she burn too much candle. It was weeks before the little
