Authorities.—The Journals of Major-General Gordon at Khartoum (1885); Lord Cromer, Modern Egypt (2 vols., 1908); F. R. Wingate, Mahdiism and the Egyptian Sudan (1891); the British Parliamentary Paper on Egypt (1884–1885); C. G. Gordon, Reflections in Palestine (1884); edited by D. C. Boulger, General Gordon’s Letters from the Crimea, the Danube, and Armenia (1884); edited by G. B. Hill, Colonel Gordon in Central Africa (1881); Letters of General C. G. Gordon to his Sister (1888); H. W. Gordon, Events in the Life of C. G. Gordon (1886); Commander L. Brine, The Taeping Rebellion in China (1862); A. Wilson, Gordon’s Campaigns and the Taeping Rebellion (1868); D. C. Boulger, Life of Gordon (1896); A. Egmont Hake, The Story of Chinese Gordon (1st vol. 1884, 2nd vol. 1885); Colonel Sir W. F. Butler, Charles George Gordon (1889); Archibald Forbes, Chinese Gordon (1884); edited by A. Egmont Hake, Events in the Taeping Rebellion (1891); S. Mossman, General Gordon’s Diary in China (1885); Lieutenant T. Lister, R.E., With Gordon in the Crimea (1891); Lieutenant-General Sir G. Graham, Last Words with Gordon (1887); “War Correspondent,” Why Gordon Perished (1896). (C. M. W.)
GORDON, LORD GEORGE (1751–1793), third and youngest son of Cosmo George, duke of Gordon, was born in London on the 26th of December 1751. After completing his education at Eton, he entered the navy, where he rose to the rank of lieutenant in 1772, but Lord Sandwich, then at the head of the admiralty, would not promise him the command of a ship, and he resigned his commission shortly before the beginning of the American War. In 1774 the pocket borough of Ludgershall was bought for him by General Fraser, whom he was opposing in Inverness-shire, in order to bribe him not to contest the county. He was considered flighty, and was not looked upon as being of any importance. In 1779 he organized, and made himself head of the Protestant associations, formed to secure the repeal of the Catholic Relief Act of 1778. On the 2nd of June 1780 he headed the mob which marched in procession from St George’s Fields to the Houses of Parliament in order to present the monster petition against the acts. After the mob reached Westminster a terrific riot ensued, which continued several days, during which the city was virtually at their mercy. At first indeed they dispersed after threatening to make a forcible entry into the House of Commons, but reassembled soon afterwards and destroyed several Roman Catholic chapels, pillaged the private dwellings of many Roman Catholics, set fire to Newgate and broke open all the other prisons, attacked the Bank of England and several other public buildings, and continued the work of violence and conflagration until the interference of the military, by whom no fewer than 450 persons were killed and wounded before the riots were quelled. For his share in instigating the riots Lord Gordon was apprehended on a charge of high treason; but, mainly through the skilful and eloquent defence of Erskine, he was acquitted on the ground that he had no treasonable intentions. His life was henceforth full of crack-brained schemes, political and financial. In 1786 he was excommunicated by the archbishop of Canterbury for refusing to bear witness in an ecclesiastical suit; and in 1787 he was convicted of libelling the queen of France, the French ambassador and the administration of justice in England. He was, however, permitted to withdraw from the court without bail, and made his escape to Holland; but on account of representations from the court of Versailles he was commanded to quit that country, and, returning to England, was apprehended, and in January 1788 was sentenced to five years’ imprisonment in Newgate, where he lived at his ease, giving dinners and dances. As he could not obtain securities for his good behaviour on the termination of his term of imprisonment, he was not allowed to leave Newgate, and there he died of delirious fever on the 1st of November 1793. Some time before his apprehension he had become a convert to Judaism, and had undergone the initiatory rite.
A serious defence of most of his eccentricities is undertaken in The Life of Lord George Gordon, with a Philosophical Review of his Political Conduct, by Robert Watson, M.D. (London, 1795). The best accounts of Lord George Gordon are to be found in the Annual Registers from 1780 to the year of his death.
GORDON, SIR JOHN WATSON (1788–1864), Scottish painter, was the eldest son of Captain Watson, R.N., a cadet of the family of Watson of Overmains, in the county of Berwick. He was born in Edinburgh in 1788, and was educated specially with a view to his joining the Royal Engineers. He entered as a student in the government school of design, under the management of the Board of Manufactures. His natural taste for art quickly developed itself, and his father was persuaded to allow him to adopt it as his profession. Captain Watson was himself a skilful draughtsman, and his brother George Watson, afterwards president of the Scottish Academy, stood high as a portrait painter, second only to Sir Henry Raeburn, who also was a friend of the family. In the year 1808 John sent to the exhibition of the Lyceum in Nicolson Street a subject from the Lay of the Last Minstrel, and continued for some years to exhibit fancy subjects; but, although freely and sweetly painted, they were altogether without the force and character which stamped his portrait pictures as the works of a master. After the death of Sir Henry Raeburn in 1823, he succeeded to much of his practice. He assumed in 1826 the name of Gordon. One of the earliest of his famous sitters was Sir Walter Scott, who sat for a first portrait in 1820. Then came J. G. Lockhart in 1821; Professor Wilson, 1822 and 1850, two portraits; Sir Archibald Alison, 1839; Dr Chalmers, 1844; a little later De Quincey, and Sir David Brewster, 1864. Among his most important works may be mentioned the earl of Dalhousie (1833), in the Archers’ Hall, Edinburgh; Sir Alexander Hope (1835), in the county buildings, Linlithgow; Lord President Hope, in the Parliament House; and Dr Chalmers. These, unlike his later works, are generally rich in colour. The full length of Dr Brunton (1844), and Dr Lee, the principal of the university (1846), both on the staircase of the college library, mark a modification of his style, which ultimately resolved itself into extreme simplicity, both of colour and treatment.
During the last twenty years of his life he painted many distinguished Englishmen who came to Edinburgh to sit to him. And it is significant that David Cox, the landscape painter, on being presented with his portrait, subscribed for by many friends, chose to go to Edinburgh to have it executed by Watson Gordon, although he neither knew the painter personally nor had ever before visited the country. Among the portraits painted during this period, in what may be termed his third style, are De Quincey, in the National Portrait Gallery, London; General Sir Thomas Macdougall Brisbane, in the Royal Society; the prince of Wales, Lord Macaulay, Sir M. Packington, Lord Murray, Lord Cockburn, Lord Rutherford and Sir John Shaw Lefevre, in the Scottish National Gallery. These latter pictures are mostly clear and grey, sometimes showing little or no positive colour, the flesh itself being very grey, and the handling extremely masterly, though never obtruding its cleverness. He was very successful in rendering acute observant character. A good example of his last style, showing pearly flesh-painting freely handled, yet highly finished, is his head of Sir John Shaw Lefevre.
John Watson Gordon was one of the earlier members of the Royal Scottish Academy, and was elected its president in 1850; he was at the same time appointed limner for Scotland to the queen, and received the honour of knighthood. Since 1841 he had been an associate of the Royal Academy, and in 1851 he was elected a royal academician. He died on the 1st of June 1864.
inference from carefully surveyed fact; with many variations of mood he mixed, as we often see in people less famous, an invincible faith in his own rapid prepossessions while they lasted. Everybody now discerns that to despatch a soldier of this temperament on a piece of business [the mission to the Sudan in 1884] that was not only difficult and dangerous, as Sir E. Baring said, but profoundly obscure, and needing vigilant sanity and self-control, was little better than to call in a wizard with his magic. Mr Gladstone always professed perplexity in understanding why the violent end of the gallant Cavagnari in Afghanistan stirred the world so little in comparison with the fate of Gordon. The answer is that Gordon seized the imagination of England, and seized it on its higher side. His religion was eccentric, but it was religion; the Bible was the rock on which he founded himself, both old dispensation and new; he was known to hate forms, ceremonies and all the ‘solemn plausibilities’; his speech was sharp, pithy, rapid and ironic; above all, he knew the ways of war and would not bear the sword for nought.”
