Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/21

From Wikisource
Jump to navigation Jump to search
This page needs to be proofread.

It seems to be the psychology of a lie that it can never stand alone. Consul Bernick is compelled to weave a network of lies to sustain his foundation. In the disguise of a good husband, he upbraids, nags, and tortures his wife on the slightest provocation. In the mask of a devoted father, he tyrannizes and bullies his only child as only a despot used to being obeyed can do. Under the cloak of a benevolent citizen he buys up public land for his own profit. Posing as a true Christian, he even goes so far as to jeopardize human life. Because of business considerations he sends The Indian Girl, an unseaworthy, rotten vessel, on a voyage, although he is assured by one of his most capable and faithful workers that the ship cannot make the journey, that it is sure to go down. But Consul Bernick is a pillar of society; he needs the respect and good will of his fellow citizens. He must go from precipice to precipice, to keep up appearances.

Lona alone sees the abyss facing him, and tells him: "What does it matter whether such a society is supported or not? What is it that passes current here? Lies and shams—nothing else. Here are you, the first man in the town, living in wealth and pride, in power and honor, you, who have set the brand of crime upon an innocent man." She might have added, many