innocent men, for Johan was not the only one at whose expense Karsten Bernick built up his career.
The end is inevitable. In the words of Lona: "All this eminence, and you yourself along with it, stand on a trembling quicksand; a moment may come, a word may be spoken, and, if you do not save yourself in time, you and your whole grandeur go to the bottom."
But for Lona, or, rather, what she symbolizes, Bernick—even as The Indian Girl—would go to the bottom.
In the last act, the whole town is preparing to give the great philanthropist and benefactor, the eminent pillar of society, an ovation. There are fireworks, music, gifts and speeches in honor of Consul Bernick. At that very moment, the only child of the Consul is hiding in The Indian Girl to escape the tyranny of his home. Johan, too, is supposed to sail on the same ship, and with him, Dina, who has learned the whole truth and is eager to escape from her prison, to go to a free atmosphere, to become independent, and then to unite with Johan in love and freedom. As Dina says: "Yes, I will be your wife. But first I will work, and become something for myself, just as you are. I will give myself, I will not be taken."
Consul Bernick, too, is beginning to realize himself. The strain of events and the final shock that he had exposed his own child to such
