Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/140

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ing new reading from Genesis: "And God said, It is not good the King should reign alone." A publican at the corner of Half Moon Street exhibited a flag whereon, in reference to the unpopular witness Teodoro Majoochi, was depicted a gallows with the following inscription:—

"Q. What's that for?
A. Non Mi Ricordo."

An enthusiastic cheesemonger at the top of Great Queen Street displayed a transparency on which he had inscribed the following verses:—

"Some friends of the devil
With mischief and evil
Filled a green bag of no worth;
But in spite of the host,
It gave up the ghost
And died 53 days after birth."

The caricaturists of course were not idle, and the trial of Queen Caroline provoked a perfect legion of pictorial satires. The queen's victory is celebrated in one of the contemporary caricatures (published by John Marshall, junior) under the title of The Queen Caroline Running down the Royal George; while on the ministerial side it is recorded (among others) by a far more elaborate and valuable performance (published by G. Humphrey), called, The Steward's Court of the Manor of Torre Devon, which contains an immense number of figures, and wherein the queen is seated on a black ram[1] in the midst of one of the popular processions, the members of which carry poles bearing pictorial records of the various events brought out in evidence against her.

  1. There is a custom in the Manor of Torre Devon, that when a copyhold tenant dies, his widow has her free-bench in his land, but forfeits her estate on committing the offence with which the queen was charged; on her coming however into court riding backward on a black ram, and repeating the formula mentioned in the design, the steward is bound to reinstate her. Without this explanation the meaning of this telling satire would not be understood. For the formula (which cannot be repeated here) I must refer the reader to Jacob's Law Dictionary, ed. 1756, title, "Free Bench."