ask and have." George Cruikshank refers to this state of things in a caricature called, A Scene in the Farce of Lofty Projects, as Performed with great success for the benefit and amusement of John Bull. Besides these, he gives us The Four Mr. Prices (High Price, Low Price, Full Price, and Half Price).
I can assign no date to Waiting on the Ladies; The Death of the Property Tax, or Thirty-seven Mortal Wounds for Ministers and the Inquisitorial Commissioners; or to The Court at Brighton, à la Chinese, one of the most admirable of the whole series. In this last, the fat prince habited as a mandarin, is seated on a sofa between the Princess Charlotte and an enormously fat woman, probably intended for the Marchioness of Conyngham. He is handing to a Chinese official a paper inscribed "Instructions for Lord Amhurst, to get fresh patterns of Chinese deformities to finish the decorations of Pavilion G. P. R." A specimen of regency taste and sympathies stands on a pedestal in the form of the Hottentot Venus, while a statuette of the fat prince himself, habited in a red coat, white waistcoat, yellow inexpressibles, and silk stockings, is labelled the "British Adonis." The princess recommends her papa to order the officer to bring her over "a Chinaman, instead of getting her a husband among our German cousins." A variety of miscellaneous articles are strewn about the floor, among them a box containing the Regent's wigs and whiskers, a treatise on "The Art of making Punch," the indispensable hamper of champagne, and a pair of curling irons; while no one will fail to recognise the interior of the Brighton Pavilion as the scene where this admirable satire is laid. Another undated satire remains to be noticed: it represents a young man in a boat with three young women, one of them of considerable personal attractions, that is to say from a Cruikshankian point of view, and evidently a likeness. On the shore stands another young woman and her child, whom the young spark has evidently left behind him. In the stern of the boat is a hamper of wine and a goblet fashioned out of a skull; a noseless man rows the boat, while three sailors in an adjoining vessel make ribald observations in reference to the young man's female companions. By the star on
