Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/484

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Messrs. Arthur Lewis,[1] Wilbert Beale, Mark Lemon, Du Maurier, John Tenniel, Arthur Sullivan, and W. H. Bradbury. Then came rehearsals, and, on the 11th of May, a performance at the Adelphi in aid of the Bennett fund. Mr. Arthur Sullivan had, in conjunction with Mr. F. C. Burnand, converted the well-known farce of "Box and Cox" into an operetta of the most ludicrous description. This was the opening piece—the forerunner of "Pinafore," "Pirates," "Patience," and other triumphs. Arthur Sullivan himself conducted, and the players were Mr. Du Maurier, Mr. Quinton, and Mr. Arthur Blunt. Then followed "A Sheep in Wolfs Clothing," in which Mesdames Kate Terry, Florence Terry, Mrs. Stoker, Mrs. Watts (the present Ellen Terry), and Messrs. Mark Lemon, Tom Taylor, Tenniel, Burnand, Silver, Pritchett, and Horace Mayhew took part. This was succeeded by Offenbach's "Blind Beggars," who were admirably personated by Mr. Du Maurier and Mr. Harold Power. The evening concluded with a number of part songs and madrigals sung by the Moray Minstrels—so called from their chiefly performing at Moray Lodge, the residence of Mr. Arthur Lewis. Between the two portions of their entertainment, Shirley Brooks came on and delivered an address written by himself, which contained the following allusion to him for whose family the generous work had been undertaken:—

"Only some friends of a lost friend, whose name
Is all the inheritance his children claim
(Save memory of his goodness), think it due
To make some brief acknowledgment to you.
Brief but not cold; some thanks that you have come
And helped us to secure that saddened home,
Where eight young mourners round a mother weep
A fond and dear loved father's sleep.

Take it from us—and with this word we end
All sad allusion to our parted friend—
That for a better purpose generous hearts
Ne'er prompted liberal hands to do their parts.

  1. Afterwards married Kate Terry.