Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/517

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cartoon of The Eagle in Love, in which the present ex-Empress (then Comtesse de Teba), whose likeness by the way is far from happy, is represented as cutting his talons. The air of mystery which was a part of his character, and was not so well understood in those days as it afterwards came to be, not unnaturally misled Mr. Tenniel, for in his satire, Playing with Edged Tools, we behold him studying (of all things in the world) a model of the guillotine, an instrument of terror to which those of the Bonaparte family who profess to be guided by the policy of the great Napoleon, must always entertain the greatest possible aversion.

Punch not only looked upon the third Napoleon as a treacherous man, but also as a dangerous and inconvenient neighbour. In the cartoon labelled, An Unpleasant Neighbour (1859), we see him in the act of placing outside his firework shop a flaming advertisement, whereon we read in the largest possible type, "Blaze of Triumph! Roman Candles!—Italian Fire!"[1] His neighbour, John Bull, proprietor of "The Roast Beef House" next door, rushes out in a very excited state, "Here have I got," says he, "to pay double insurance, all along of your confounded fireworks!" The next cartoon shows us Louis, alias "Monsieur Walker," after he has closed his establishment and chalked up, "The Business to be disposed of," while incredulous John places his finger to his nose as Louis assures him, "Ah, friend Johnny! I close my shop entirely to please you!" In The Congress Quadrille, Louis vainly essays to make himself agreeable to Miss Britannia (a good example of the artist's handsome women)—"Voulez-vous danser, Mad'moiselle?" says Louis. Britannia, however, having been his partner on more than one memorable occasion, had had quite enough of him and his peculiar style of dancing. "Thanks,—no!" she languidly replies, thinking doubtless of her experiences of the Russian quadrille—of the Chinese country dance, etc., etc. "I'm not sure of the figure—and know nothing of the Finale."

Mr. Tenniel's art training before he joined the Punch staff, com-

  1. An excellent burlesque of the Emperor's theatrical declarations.