Page:Frank Owen - The Wind That Tramps the World (1929).djvu/46

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Pale Pink Porcelain

Lu Chau enter. He was very polite, very formal. No race can match the Chinese in courtesy, no Chinaman could eclipse Tsang Kee Foo, poet and potter and lover of Mei-Mei.

At one end of the shop was the great door that led to the bake ovens. Lu Chau walked close to it. His interest was sincere. Cupidity lighted up his eyes. He was to receive the use of these ovens free.

Tsang Kee Foo opened the great door. The blast that came from the oven was like that of a swirling volcano.

"I have a dozen vases baking within at the present time," he said, "but there is room for very many more. Stand closer so that you can appreciate its capacity."

Lu Chau stepped forward that he might peer with greater intensity. As he did so Tsang Kee Foo caught him about the waist and pushed him into the oven. The shriek which Lu Chau emitted was drowned as the great iron door swung shut.

Without haste or trepidation Tsang Kee Foo returned to his garden. The air was fragrant with lotuses. He plucked a carnation from a bush and touched it to his nostrils. Never he thought had the wistaria blossoms appeared to greater advantage. He seated himself upon a bench near a willow tree. His soul was filled with poetry. Quatrains like jewels were chasing themselves through his consciousness. He thought of the lovely Mei-Mei. When they were wed it would be an excellent triumph for the art of ceramics. What wondrous vases they would be able to create together.

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