Page:Frank Owen - The Wind That Tramps the World (1929).djvu/47

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Pale Pink Porcelain

He listlessly picked up a ripe pomegranate that had fallen to the ground. Love was as delicious as the seeds of that luscious fruit, sweeter than honey and almonds, or sandalwood and myrrh.

Now Lu Chau would bother him no more. No longer would he be forced to bear the bite of his sarcasms, of his boastings, nor to listen to the quaint tales he told of amorous Chinese maidens who could not resist his allure. The future had taken on a rosy hue, somewhat akin to that pale pink color of Chinese porcelain for which Mei-Mei yearned. Until the moon rose that night he remained in his garden, until the soft flush of sunset had blended into the purpling folds of night. The scent of lotuses sweetened, the breeze intensified, the stars bloomed out like wondrous lanterns hanging in the sky. The world was suffused in a riot of beauty. Tsang Kee Foo rose to his feet. He sang wildly in his ecstasy. He crooned love songs to the moon.

Even unto dawn he remained in his garden. For his eyes there was no sleep. He wished simply to breathe in that perfume of joy forever. He refreshed his face by crushing it into a large wild rose on which the cool night dew was heavy.

When the hour of noon approached he went to the studio of Mei-Mei. He bowed low as he entered, arrayed in the costliest of his satin costumes.

"Surely," he cried, "I must be permanently protected from hardship and danger by a Spirit Screen. Be-

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