If the spy relates to another what he has seen, the person looked at again becomes comical, because the viewpoint that predominates is that the expenditure was omitted which would have been necessary for the concealment of the private parts. At all events, the sphere of the sexual or obscene offers the richest opportunities for gaining comic pleasure beside the pleasurable sexual stimulation, as it exposes the person’s dependence on his physical needs (degradation) or it can uncover behind the spiritual love the physical demands of the same (unmasking.)
The Psychogenesis of the Comic
An invitation to seek the understanding of the comic in its psychogenesis comes surprisingly from Bergson’s well written and stimulating book Laughter. Bergson, whose formula for the conception of the comic character has already become known to us—“mechanization of life,” “the substitution of something mechanical for the natural”—reaches by obvious associations from automatism to the automaton, and seeks to trace a series of comic effects to the blurred memories of children’s toys. In this connection he once reaches this viewpoint, which, to be sure, he soon drops;
