up a second hymn, as he often did; but he did not this morning; there was too much to be done; everybody was in a hurry to be at work: windows shut, doors opened; the sounds of voices from all directions, ordering, questioning, answering, began to be heard. The sun rose and let a flood of work-a-day light on the whole place.
Margarita ran and unlocked the chapel door, putting up a heartfelt thanksgiving to Saint Francis and the Señorita, as she saw the snowy altar-cloth in its place, looking, from that distance at least, as good as new.
The Indians and the shepherds, and laborers of all sorts, were coming towards the chapel. The Señora, with her best black silk handkerchief bound tight around her forehead, the ends hanging down each side of her face, making her look like an Assyrian priestess, was descending the veranda steps, Felipe at her side; and Father Salvierderra had already entered the chapel before Ramona appeared, or Alessandro stirred from his vantage-post of observation at the willows.
When Ramona came out from the door she bore in her hands a high silver urn filled with ferns. She had been for many days gathering and hoarding these. They were hard to find, growing only in one place in a rocky cañon, several miles away.
As she stepped from the veranda to the ground, Alessandro walked slowly up the garden-walk, facing her. She met his eyes, and, without knowing why, thought, “That must be the Indian who sang.” As she turned to the right and entered the chapel, Alessandro followed her hurriedly, and knelt on the stones close to the chapel door. He would be near when she came out. As he looked in at the door, he saw her glide up the aisle, place the ferns on the reading-desk, and then kneel down by Felipe in front of
