not know how to fashion, how to create, how to attach his own ideas to that golden thread of fantasy which bathes all things in rainbow tints before it gives them to the world warmed and illuminated, or bright as a summer night's lightning.
But in recompense he had another kind of power. He judged soundly, and what is more, with keenness. After he had read a production of his own he analyzed it in presence of all; joyous laughter continued till late in the apartments. In like manner did he treat the productions of others; if he ridiculed the chips flew from those first offerings placed on the altar of art. He was able so to arrange his voice and expression of face to the current of his words that when he wished the gloomiest subject roused the most laughter. This obtained for him great consideration. Those who, feeling a sympathy for the moon, struck the sentimental chords of their hearts, dreaded him as they might have dreaded Satan.
Vasilkevich described his Lithuanian lakes and forests pithily. From time to time Karvovski permitted himself lyric verses in which dew, tears, lilies of the valley, and sighs spoke with each other in the manner of people. In this case it was not a question of judgment, but of
