IX FRANS HALS '39 M. M. M. M. 159 289 188 3 8o 218 81 248 21 1 60 = M. 159 189 3 88 219 83 249 43 161 283 ' 190 398 220 84 250 4 1 162 294 191 w 221 88 251 44 163 103 192 385 222 85 252 54 164 254 193 389 22 3 37 253 5o 165 259 194 39 224 134 254 49 1 66 258 95 39i 225 '35 255 51 167 260 196 365 226 = M. 225 256 53 168 261 197 382 227 125 257 52 169 271 198 38i 228 124 2 5 8 no 170 272 199 383 229 ii 259 205 171 277 200 376 230 32 260 108 172 266 2OI 369 231 38 26l 109 173 267 202 370 232 27 262 "5 '74 268 203 = M. 200 233 30 263 119 175 (') 204 ( 2 ) 234 116 264 63 176 263 205 387 235 28 265 = M. 155 177 321 2O6 384 236 29 266 99* 178 324 207 373 237 87 267 95 179 273 208 141 2 3 8 118 268 96 1 80 307 209 139 239 33 269 66 181 308 2IO 86 240 3i 2 JO = M. 241 182 309 211 133 241 68 271 65 183 319 212 = M. 211 242 39 272 67 184 297 213 91^ 243 19 273 64 1844 298 214 82 244 18 274 ( 4 ) 185 296 215 ( 3 ) 245 Jl* 275 izza 186 371 216 98 246 20 187 375 217 97 247 17 1 Portrait of a Man, Schwerin ; school of Frans Hals. 2 Portrait of a Woman, in the collection of Baron Albert von Rothschild, Vienna ; by Judith Leyster, and signed with her monogram. 3 The Lute-Player, in the collection of Earl Howe, Gopsall ; compared with Earl Howe's " Portrait of a Man " (107), which, judging from the costume, must be of the same period, it looks too uncertain in handling to be a Frans Hals ; most probably it should be attributed to Judith Leyster. 4 The Smoker, in the collection of A. Schloss, Paris ; it is probably derived from a lost original.
