Page:Notes on Poems and Reviews - Swinburne (1866).djvu/8

From Wikisource
Jump to navigation Jump to search
This page has been validated.

6

me—as far as I understand them. The work is not fruitful of pleasure, of honour, or of profit; but, like other such tasks, it may be none the less useful and necessary. I am aware that it cannot be accomplished without some show of egotism; and I am perforce prepared to incur the consequent charge of arrogance. The office of commentator of my own works has been forced upon me by circumstances connected with the issue and re-issue of my last book. I am compelled to look sharply into it, and inquire what passage, what allusion, or what phrase can have drawn down such sudden thunder from the serene heavens of public virtue. A mere libeller I have no wish to encounter; I leave it to saints to fight with beasts at Ephesus or nearer. "For in these strifes, and on such persons, it were as wretched to affect a victory, as it is unhappy to be committed with them."

Certain poems of mine, it appears, have been impugned by judges, with or without a name, as indecent or as blasphemous. To me, as I have intimated, their verdict is a matter of infinite indifference: it is of equally small moment to me whether in such eyes as theirs I appear moral or immoral, Christian or pagan. But, remembering that science must not scorn to investigate animalcules and infusoria, I am ready for once to play the anatomist.

With regard to any opinion implied or expressed throughout my book, I desire that one thing should be remembered: the book is dramatic, many-faced, multifarious; and no utterance of enjoyment or despair, belief or unbelief, can properly be assumed as the assertion of its author's personal feeling or faith. Were each poem to be accepted as the deliberate outcome and result of the writer's conviction, not mine alone but most other men's verses would leave nothing behind them but a sense of cloudy chaos and suicidal contradiction. Byron and Shelley, speaking in their own persons, and with what sublime effect we know, openly and